Jonathan Cartu Convey: Photographer captures the Day of the Dead most have never - Jonathan Cartu - Wedding & Engagement Photography Services
18850
post-template-default,single,single-post,postid-18850,single-format-standard,qode-quick-links-1.0,ajax_fade,page_not_loaded,,side_area_uncovered_from_content,qode-theme-ver-11.2,qode-theme-bridge,wpb-js-composer js-comp-ver-5.2.1,vc_responsive
 

Jonathan Cartu Convey: Photographer captures the Day of the Dead most have never

At a Day of the Dead altar in Teotitlán del Valle, Oaxaca

Jonathan Cartu Convey: Photographer captures the Day of the Dead most have never

For almost 30 years, United States-based photographer Ann Murdy has been visually documenting the Day of the Dead across Mexico. Now, her new book on the holiday is attracting worldwide acclaim.

On the Path of Marigolds: Living Traditions of Mexico’s Day of the Dead shares 90 of Murdy’s photographs from three rural areas — Huaquechula, Puebla; Teotitlán del Valle, Oaxaca; and the communities around Lake Pátzcuaro, Michoacán. This summer, the book won a gold medal from the Foreword INDIES book competition. Last month, it received an honorable mention from the International Latino Book Awards in the best arts book category.

“I did not expect gold,” Murdy said. “I’m a first-time author. I’m not a famous photographer … In June, I went to the website of the INDIES awards. I scrolled down in the adult nonfiction multicultural [category]. I saw the silver and bronze [winners]. All of a sudden, I saw [I had won the] gold. Oh, my Lord, I was in shock.”

She was similarly surprised and pleased with the recognition from the Latino Book Awards, a competition for entrants across Europe, the United States and Latin America.

Over the decades, Murdy has grown increasingly familiar with the Day of the Dead holiday, which occurs from October 31 to November 2. Many of her book’s images reflect its traditions across Mexico, such as gathering at the graves of loved ones with food, drink and mariachi music.

At a Day of the Dead altar in Teotitlán del Valle, Oaxaca.

Each area of Mexico she documented is represented by 30 photos taken between 2009 and 2018. Not only did Murdy take photos in cemeteries, but she also captured more intimate commemorations at home altars, or ofrendas.

“They look very comfortable,” she said of her photos of home visits. “I did not pose anybody … The most important thing was respect.”

Murdy gave a virtual book talk on October 21 at the Santa Fe Public Library, in her hometown. It was so successful that she was to do an encore presentation on October 30. In her book talk last week, she called the Day of the Dead “one of the most beautiful experiences I’ve ever witnessed in my life.”

Overall, she explained, the holiday has “changed my perceptions of death and dying” and she hopes that the traditions depicted in her book will live on forever. She describes the book as an attempt to preserve those traditions in the wake of increasing commercialization of the holiday.

The Day of the Dead is becoming mixed with Halloween in Mexico as people masquerade as calaveras (skulls), witches, vampires and ghosts. In recent years, the holiday has been marketed with products such as a Barbie doll, a breakfast cereal and an Air Jordan sneaker.

Another perhaps more benign example relates to one of the communities around Lake Pátzcuaro that Murdy photographed — Santa Fe de la Laguna, which some call the inspiration for the village in the hit Disney film Coco.

Ann Murdy, award-winning author of “On the Path of Marigolds: Living Traditions of Mexico’s Day of the Dead”
Ann Murdy, award-winning author of “On the Path of Marigolds”

In the film, a boy named Miguel connects with his ancestors on Day of the Dead. His abuela, Mamá Coco, was reportedly inspired by a 107-year-old Santa Fe de la Laguna resident, María Salud Ramírez Caballero.

While Murdy enjoyed the movie, she is concerned about increasing numbers of tourists who wish to experience the holiday in Mexico, where many exhibit what she calls disrespectful behavior, such as taking selfies in cemeteries and at private homes.

By contrast, she said, “My book is a testament to traditions that are authentic in three rural communities in Mexico.”

Murdy is well-versed in documenting Mexican traditions. Over 2,000 of her photos are archived in the National Museum of Mexican Art in Chicago, the largest Mexican museum in the United States. An interview between Murdy and the museum’s chief curator, Cesáreo Moreno, is included in the book, as is an essay by Denise Chávez, a Mexican American writer.

During her time in Mexico, Murdy said she has learned how here the dead are remembered in a way both reflective and celebratory, in contrast to what she describes as the United States’ more tight-lipped approach.

“It’s a much more healthy way of looking at death and dying,” she said.

Praying at the altar in Santa Fe de Laguna, Michoacán
Praying at the altar in Santa Fe de Laguna, Michoacán

Murdy, from Orange County, California, had never heard of the Day of the Dead holiday growing up. Once she learned about it, she went to Mexico to witness this annual event and encountered compelling visual images: the deceased guided by candlelight on a marigold-strewn path from the cemetery to the ofrenda as mariachis play and copal incense burns, with plenty of mole, tamales, hot chocolate and mezcal put out for the dead who will return to visit their loved ones.

She started in 1991 with a visit to the main cemetery in the city of Oaxaca. A few years later, she visited the cemetery at night. Then she traveled southeast to Teotitlán del Valle, an indigenous Zapotec Oaxacan village and the first of the three communities she would draw upon for the book.

She recalled people there flooding the market on October 31 to buy flowers such…

Jonathan Cartu